At a Glance

Celebrated at: Surajkund, District Faridabad

Celebrated during: February Every Year

Main attractions: Rich showcase of regional and international crafts and traditions

A splash of colours, rhythm of drum beats and joy de-vivre merge at Surajkund in Faridabad, Haryana during the first fortnight of each February.

Occupying a place of pride on the international tourist calendar, more than a million visitors throng the Mela during the fortnight including thousands of foreign tourists. The Surajkund Mela is unique as it showcases the richness and diversity of the handicrafts, handlooms and cultural fabric of India, & is the largest crafts fair in the world.

The Mela is organized by the Surajkund Mela Authority & Haryana Tourism in collaboration with Union Ministries of Tourism, Textiles, Culture and External Affairs.

A large number of renowned national and international folk artistes and cultural groups present day performances at both the Chaupals, the open-air theatres, located in the Mela premises. Also enthralling cultural evening programmes are held at the main Chaupal during each of the Mela evening. The Mela is indeed a custodian of the heritage crafts involving use of traditional skills that are fading away due to cheap machine made imitations, and a special section is earmarked for showcasing of these heritage crafts.

The multi-cuisine Food Court provides ethnic cuisines from all over the world, which are immensely popular with visitors. There are designated places for amusement, adventure sports and joy rides to make it a must visit event for the young.

In 2013, the fair was upgraded to an international level and in 2015, a record number of 20 countries participated in the Mela and Lebanon was the Partner Nation and Chhattisgarh, the Theme State.

Aims and Objectives

  • To organise, manage and run the Surajkund International Craft Mela at Surajkund Faridabad with a view to promote handicrafts, handlooms with the aid of craftsmen invited from all over the country.
  • To identify languishing and lesser known crafts and to introduce them to patrons.
  • To display crafts and loom techniques by organising demonstration sections in the Mela grounds.
  • To undertake the promotion of export of handlooms and handicrafts.
  • To set up an environment in which rural crafts traditions could be displayed and to project the traditional rural ambience of a typical village near Delhi for travellers who may not have the time or means to visit an Indian village.

Vision

The Mela was conceived primarily to promote the pool of skilled artisans, who used indigenous technology, but were suffering due to the cheaper machine-made imitations. This is an earnest effort by Surajkund Mela Authority & Haryana Tourism to provide a platform for craftspersons and weavers to directly market their wares by eliminating the middlemen.

To preserve the languishing arts & crafts of India, Surajkund Crafts Mela was hosted for the first time in 1987. The Mela ground is spread over 40 acres and houses about 1010 work huts that host craftspersons and weavers.

Surajkund International Crafts Mela offers its visitors a lifetime experience as it unfolds a wonderful range of textiles, paintings, wood stock, ivory work, pottery, terracotta, stonework, lac querware, cane and grass products.

Partner Nation

As the popularity grew so did the scale of the Surajkund Mela. The Mela was lent a global appeal in 2009 with Egypt being the first focus nation for the 23rd edition of the Mela. The Mela was rechristened ‘Surajkund International crafts Mela’ when Thailand was introduced as the first partner nation in the 26th edition in 2012.

The prominence of the Surajkund Mela was scaling new heights, as more and more foreign countries were vying to participate in the Mela to showcase their culture, crafts and cuisines. With participation of Egypt, came in a new wave of international artists, craftsmen and cultural fare. Thus, Opening a new vista for foreign nations to present their art and culture and their number grew by the year.

Indian audience was thus, introduced to traditions of exotic lands and treated with finest crafts and cuisines. The international addition was well received by the visitors, as the fair now became a diverse mix of both local and international talent on a single platform.  Many countries like south East Asia, African nations, countries of central Asia to New Zealand have been part of this grand venture.

The Partner Nation brings their best artisans from the field of handlooms & handicrafts. From woven carpets, delightful earthenware, vivid paintings to intricate fabrics, each nation has something equally captivating to offer. Apart from the traditional crafts a number of folk artistes for these nations participate with full fervor. The enchantment of the Mela is heightened with with their folk songs and dances depicting tales from across the seas. To add to the already simmering flavours master chefs from various participating countries present a medley of exquisite traditional cuisines to pamper the taste buds of food enthusiasts.

Participating Partner Country/Nation(s) in Surajkund Mela over the years

The concept of seeking participation of interested nations as the Participating Country (s) started during the year 2009 and usually more than one country participate in it. The details of the participating Nations are as under:-

Sl NoName of the Partner Country(s)/ Nation(s)Year of Participation
1.Egypt2009
2.Thailand, Egypt and Tajikistan2010
3.Uzbekistan2011
4.Thailand2012
5.African Nations2013
6.Sri Lanka2014
7.Lebanon2015
8.Japan and China ( Focus Countries )2016
9.Egypt2017
10.Kyrgyzstan2018
11.Thailand2019
12.Uzbekistan2020
13.Uzbekistan2022
14Shanghai Corporation Organisation (SCO)2023
15.United Republic of Tanzania2024

Theme State

In 1989, the concept of Theme State was introduced for the first time and it has become a major high point of the Mela ever since. The concept of Theme State was conceptualized broadly with a view to promote art, craft and cuisine of every state of India with special focus being on one particular State every year. The aim is to showcase the finest folk traditions of a particular State and thereby alleviating the living standard of its artisans & folk artistes.

Artists, weavers and craftspersons from the theme state are given Work huts to exhibit the best of their crafts. The Theme State brings a right mix of handicraft artisans and craftspersons from the domain of handlooms. Over 300 artistes and cultural performers from the theme state present enthralling recitals/performances representing the distinctive traditions of the state during the entire event.

Interestingly, the Theme State gets the opportunity to decorate its allotted area in its own ethnic style. This space definitely stands out as it wears a unique ambience depicting the culture & ethos of the Theme State. The Theme State also creates a semi-permanent structure known as ‘Apna Ghar’ meaning ‘our home’ where a traditional family of the State resides for the entire fortnight of the Mela. The visitors come face-to-face with the lifestyle, social mores and customs of the people of that particular state.

To make the experience more authentic the Theme State also puts up a Food Stall at the Food Court where its ethnic cuisines are served. The popular cuisines from different areas of the Theme State are prepared to be relished by the visitors.

Sr. No.YearsTheme StateCommemorative Structures
11987----
21988----
31989RajasthanShekhawati Gate
41990West BengalVishnupur Gate
51991KeralaKottayambalam Gate
61992Madhya PradeshDanteshwari Devi Gate
71993OrissaMukteswara Gate
81994KarnatakaHoysala Gate
91995PunjabRam Bagh Palace
101996Himachal PradeshMaheshwar Temple Gate
111997GujaratGujarat Gali ‘Pol of Gujarat’
121998North Eastern States:-
Assam, Manipur, Arunachal Pradesh, Meghalya, Mizoram, Nagaland and Tripura.
Assam - RANG GHAR
Meghalaya - 'Ling Sad'
Tripura - UNAKOTI TIRTHA
Manipur - Kangla Santhong-
131999Andhra PradeshChar Minar
142000Jammu & KashmirKhanqah-I-Moulla
152001GoaThe Pergola
162002SikkimSikkim Gate (gate depicting Buddhist symbols like a dragon and Native art)
172003UttrakhandA replica of the Badrinath Temple
182004Tamil NaduArjuna Penance Mamallapuram
192005ChhattisgarhChhattisgarh Gate (Depicting Tribal Life of the State)
202006MaharashtraTrimurti from Elephanta Caves
212007Andhra Pradesh (2nd time)Char Minar Gate (Refurbished)
222008West Bengal (2nd time)Vishnupur Gate
232009Madhya Pradesh (2nd time)Bhimbetka Gate
242010Rajasthan (2nd time)Shekhawati Gate (Refurbished)
252011Andhra Pradesh (3rd time)Charminar Gate (Refurbished)
262012Assam (2nd time)Renovated Rang Ghar
272013Karnataka (2nd time)replicas of the magnificent gates of the Mysore Palace, architectural styles of Belur, Hampi and the world famous monument of Jain Basadis and Bijapur
282014Goa (2nd time)The Pergola (Renovated)
292015Chhattisgarh (2nd time)Chhattisgarh gate - built with the tribal spirit and art of the State as the idea.
302016Telangana (1st time)Warangal gate
312017Jharkhand (1st time)Maluti Temple
322018Uttar Pradesh (1st time)Banaras Ghats along with other structures such as Vanya Dwar , Ayodhya Dwar , Awad Dwar ,Sakya Muni Dwar , Bundelkhand Dwar , Bundlekhand Dwar.
332019Maharashtra (2nd time)Replica of Maha Dwar or Maha Darwaza’ of Raigad Fort
342020Himachal Pradesh (2nd time)Gate - Ram Bagh of Manali.
Replica of Bhima Kali Mandir of Saharan and renovated Maheshwar Devta Temple
352022Jammu and Kashmir (2nd time)Gate - Mubarak Mandi.
Replicas of Vaishno Devi mandir , Baachi Darwaza and House Boat.
362023North Easter RegionThe memorial gate that followed the language of bamboo architecture
372024Gujarat Torans (Columns) from Kirti Toran town of Vadnagar

Cultural Programs

Programme list will be updated soon.

Craftpersons

Sl. No. Description File
1 List of handloom for the 37th Surajkund International Crafts Mela

Commemorative Structures

Every year, each theme state constructs a replica of one of the popular monuments of its state to be displayed as a Commemorative Structure in the Mela Grounds. The Commemorative structure forms an integral part of the ambience of the fair. These structures are positioned at the entrance for a majestic view. The Inauguration and Closing ceremonies of the Mela are centred around them and thus these structures become a part of the memory and the spirit of the Mela each year.

Over the years these Commemorative structures have become symbols of the plurality of Indian culture. These structures are preserved by the authorities for posterity and as milestones in the journey of this unique fair.

These commemorative structures serve as life size souvenirs for times to come and make a mini India come alive at the Surajkund Mela Grounds.

How to reach

It is open to visitors from 10.30 a.m. to 8.30 p.m.

Details of Parking
GATE NO.MELA GATEENTRY FROMPARKING NUMBER
1ShekhawatiDelhi/GurgaonIA- (Chhatisgarh parking)
IB- (Near Silver Jubilee Gate)
IC- Radha Swami
ID- MCF Parking
2Jharkhand Gate/Kerala GateFaridabad/Gurgaon2A- HTC Land
2B- HTC Land
2C- EROS Land Parking
3Dhanteshwari/TRC GateDelhi/Gurgaon3A- Near Silver Jubilee Gate
3B- Helipad Parking
3D- Dinesh Aggarwal Park
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Route Map

Organizing Agency

The Mela is jointly hosted by the Surajkund Mela Authority in collaboration with the Union Ministries of Tourism, Textiles, Culture, External Affairs, Department of Tourism, Government of Haryana and Haryana Tourism Corporation.This festival has come to occupy a place of pride and prominence on the international tourist calendar, attracting more than a million domestic and foreign visitors during the Mela fortnight